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La primera fotografía que tomé de Rousseau, ambos caminábamos al lado del Panteón -aux grands hommes, la patrie reconnaissante. Era un día muy gris, de grisaille parisienne, y las calles estaban sumamente vacías. Venía de la plaza de la Contrescarpe, quizá con destino a alguna de las librerías donde solía
You can also check a Spanish version of this project. If you are curious about what's going on with this work, then you can read a post about these preliminary movements . If your curiosity happens to grow bigger,
Goya's Portrait of Jovellanos is the one chosen by Hans-Ulrich Gumbrecht . We took 139 pictures right before the ending of 2007, of which I have selected some for this post. These are, so to speak, some sketches, but not the final ones.
Estas son algunas de las fotografías tomadas durante el mes de noviembre de 2007. La colección es más extensa, pero particularmente difícil de seleccionar. Sin embargo, iré añadiendo algunas más a este mismo post.
Vienen a continuación algunas de las imágenes que he ido tomando (trabajosamente, para qué ocultarlo) a lo largo de este congreso. No hay demasiado rato para el paisaje. Más tiempo, en cambio, para las variantes, los errores conjuntivos y separativos, las fichas catalográficas y las descripciones de los pautados de
Albrecht's Dürer's self-portrait hangs on the walls of the Metropolitan Museum of Art. It's a sketch, a study on how to paint himself -a subject, actually, that passionated Dürer, and made him invent a painter's new autobiographical pact. Here are some of the pictures (only studies, as well) of Heather's
These images come from the time when I used to live in the rue Marie Benoist, a really small impasse by the Place de la Nation. Oftentimes, I wandered around the neighborhoods with my cameras just looking for something that would provoke my thoughts. I used to live alone. Upon
Alberto Montaner is not a girl. He does not have his ear pierced. He does not even have a pearl. He probably has never owned a pearl. If he has ever claimed to have a pearl, that must have been a metaphor. And this is exactly what we wanted to
Hace tiempo que quería hacer retratos sobre un simple fondo blanco. Probablemente por envidia de Richard Avedon. En El Escorial encontré un lugar apropiado para hacerlo, así como a los modelos más entregados.
I love taking pictures of my colleagues. All of them are excellent colleagues, and some are also very good friends. Above all, they are fascinating individuals whose research and scholarly work is widely recognized. Having the opportunity to meeting them is a privilege for me. And so, my pictures are
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